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Gallery - In and Around Eastbourne
If you wish to return to the main Galleries page at any time, either use the navigation buttons or click on the asterisk at the side of each painting.
The medium, dimensions and price of the original artwork and new commissions is shown below the enlarged images which can be seen by clicking the image on this page. The price of Giclée (archive) prints and cards is as follows:
GICLEE (ARCHIVE) PRINTS, Printed on Hahnemuhle ‘A3+’ paper.
Large image size (nearer to A3) - £45 (please add £10 if mount required); Small image size (nearer to A4) - £25 (please add £5 if mount required) ; Please note: giclées of drawings are £30 large, £15 small.
CARDS
0 – 5, £ 2.50 each; 5 – 10, £ 2.00 each; Over 10, £1.50 each
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This horse was cut into the chalk of Hindover Hill in 1924 and is now owned by the National Trust. My painting is based on several photos I took in 2007. I painted the horse bigger than it appears to the naked eye, and it seems to have jumped over a hill within the hill.
Watts Lane Under Snow (1,2 and 3)
This and the following paintings are based on night photos I took on April 6th 2008, following heavy snowfall that day. This is the part of Watts Lane on the Upperton side of the A2270.
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I have painted this scene in both watercolour and acrylic. The Fishing Station, off Royal Parade, offers a visual insight into the Eastbourne seashore and the fisherman’s life, with the Victorian Pier in the distance.
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To the right are the cliffs known as the Seven Sisters. In my painting I have explored the abstract qualities inherent in the beach - its colours, patterns and textures.
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Beachcasting at Birling Gap
I painted these four watercolours for the Hailsham Festival in 2009. ‘Beachcasting’ shows the sunset’s dramatic effect on the colour of the cliff-face.
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Walking on Wilmington Hill
‘Walking on Wilmington Hill’ seeks to convey the rapidly-changing light one October day.
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Towards Belle Tout: South Downs Way
The tiny figures in the foreground of ‘Towards Belle Tout’ help to emphasise the vast scale of this coastal landscape.
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The Long Man, Wilmington
For an acrylic version of ‘The Long Man’, see Back Gallery, 2007.
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Lewes: The Round House
Drawn for the Eastbourne Festival 2010. ‘The Round House’, formerly a windmill, was once owned by Virginia and Leonard Woolf. The pencils used for this drawing are notably ‘blacker’ than those employed for ‘On Keere Street’ which I drew mainly with H, 2H and F. In the background of the latter drawing are the old city walls. Foreground right: can you see the hidden face?
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Lewes: on Keere Street
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Charleston Garden
Charleston Farmhouse was the home of ‘Bloomsbury’ artists Vanessa Bell and Duncan Grant. For further details about Charleston, see their website.
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Charleston: The Source
